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	<title>Bold Magazine</title>
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		<title>INSOLITO HOTEL, BRAZIL</title>
		<link>http://www.boldmagazine.ca/insolito-hotel-brazil/</link>
		<comments>http://www.boldmagazine.ca/insolito-hotel-brazil/#comments</comments>
		<pubDate>Thu, 16 May 2013 07:17:48 +0000</pubDate>
		<dc:creator>Lea Puechel</dc:creator>
				<category><![CDATA[HOTELS + RESORTS]]></category>
		<category><![CDATA[artist Cecilia Machado]]></category>
		<category><![CDATA[Brazil]]></category>
		<category><![CDATA[Chef Mikael Voltaire]]></category>
		<category><![CDATA[Emanuelle Meeus de Clermont-Tonnerre]]></category>
		<category><![CDATA[Ferradura Beach]]></category>
		<category><![CDATA[Insolito Boutique Hotel]]></category>
		<category><![CDATA[Lea Puechel]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/?p=9473</guid>
		<description><![CDATA[Nestled into the backdrop of Ferradura beach and cliff top, in the Peninsula of Buzios &#8211; Insólito Boutique Hotel is an oasis of calm, offering relaxation on a horseshoe-shaped bay of crystal-clear turquoise water. Elegantly, it sets apart private and public beach with discreet luxury and attention to detail. Ennobled by a sustainable approach and a sophisticated beach proposal, the hotel features 20 rooms &#8211; it includes two superior rooms, four luxury rooms and three master suites &#8211; all-thematic, immersing guests in Brazilian culture. BOLD TOUCH  As a token of the owner’s passion for Brazil &#8211; French business woman Emanuelle Meeus de Clermont-Tonnerre &#8211; all spaces are exclusively designed and decorated with a unique Brazilian flavour. The decoration and furniture serve as an exhibition of Brazilian art, know-how and culture, for instance the photographs by Almir Reis who portrays modernist architecture and the human body &#8211; thus blending artisan with more modern pieces. Elements, such as rubber mats and chairs by Cecília Machado, made in cooperation with the inmates of Muzambinho and Nova Resende are created with a social consciousness, adding to the unique sustainable approach on which the hotel prides itself. Above all, the hotel prevails as a true art gallery &#8211; selected interior and exterior decoration is also for sale. WHAT WE LOVE Audaciously, the hotel offers guests the comfort and spirit of a private house while staying true to an integrative strategy respectful of the native flora.  Along with the installation of a solar heating system for water, the hotel always gives preference to Brazilian materials and products. BONUS FEATURE Graced by a picturesque view, the hotel provides a haven for luxury with its  strategically placed fresh water and seawater pools. A variety of features, such as the spa, wellness hub and a beach lounge of 3,000 m² provide spaces for chic and private relaxation. Body and soul can also be nourished by the hotel’s very own A Galeria restaurant under chef Mikael Voltaire, enchanting guests with its view over the hotel and lagoon, and providing electrifying flavours, fusing together French and Brazilian palates.]]></description>
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		<title>BILLIE MINTZ, A NEW AGE STORYTELLER</title>
		<link>http://www.boldmagazine.ca/billie-mintz-a-new-age-storyteller/</link>
		<comments>http://www.boldmagazine.ca/billie-mintz-a-new-age-storyteller/#comments</comments>
		<pubDate>Thu, 16 May 2013 01:44:24 +0000</pubDate>
		<dc:creator>Jenny Lugar</dc:creator>
				<category><![CDATA[BOLD ICONS]]></category>
		<category><![CDATA[BOLDmagazine]]></category>
		<category><![CDATA[Filmmaker Billie Mintz]]></category>
		<category><![CDATA[Jenny Lugar]]></category>
		<category><![CDATA[The Spoke Club.]]></category>
		<category><![CDATA[Toronto]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/?p=7164</guid>
		<description><![CDATA[For a director who got into the business through acting, Billie Mintz isn’t keen to speak about his acting career, but would like to focus more closely on what he feels is his niche. His bright smile and easy gait mean that in a world centered as much on aesthetics as talent, Billie has one foot in the door. But that is about where his break ends, and his path becomes increasingly more winding. Feeling that film making is his ultimate calling, Mintz does not neglect his personal need to solve the social injustices in the world. “My psychotherapist calls me an injustice collector,” he says with an earnest smile as we sit down for a chat at the distinguished Spoke Club in downtown Toronto. “I used to think, somebody needs to do something about this, but now, following three years of therapy, I’m no longer angered by it. It’s helped my work, because I can be more political about things now.” The Toronto-born director hopes to eventually bring his sphere of directorial interest into the Hollywood picture. His genuine interest in documentary films, Billie tells us, began far before the term corporate responsibility was even coined, and although many others have begun to feel a drive toward it, he still feels like it is his primary responsibility to do what he can with the resources he is given. “I always wanted to make movies that would make a difference,” he confesses. But it wasn’t always so easy. “I started going door to door to corporations and saying &#8220;hey, listen, lets start telling stories &#8211; this was before anyone was talking about storytelling so I didn’t get a lot of clients.” His passion for using film to tell stories is obvious as he starts speaking more quickly, not wanting to leave out anything important. Story, he explains, is a technology that has the power to change the world. In his most recent film, The Ponzi Scheme, Mintz teams up with a private investigator to track down a con artist who pulled off a Ponzi scheme to which, unfortunately, Billie lost his life savings. He felt that it was important for the world to know that these sort of things happen, and that there are ways to get justice. “I would love to do more investigative work,” he exclaims, “I would love more than ever to have on my card ‘Private Investigator slash Shit Disturber.” It is with this ideology that Billie has become a self-proclaimed medicine man; venturing into the unknown and returning to his own world with a message to share with everyone. Next up for this &#8220;creative Shit Disturber&#8221;, is his ambitious project with Chapters Indigo, who have recruited Billie to direct films for their campaign against childhood illiteracy called Indigo&#8217;s Love of Reading Program. He notes that is will be no easy task because it’s such a difficult scenario to capture &#8211; and that for quite some time he had to ask himself, &#8220;how do we tell this story?&#8221; Nonetheless, he looks forward to tackling the project head-on. On a more personal level, Billie explains that he would love to work on projects which encourage and communicate to people how to live sustainably on this earth. “I think we have the technology and resources and the science to live sustainably on this planet; I would like to have a role in that.” Images by Stefania Sgambelluri ]]></description>
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		</item>
		<item>
		<title>CONTAIN YOURSELF</title>
		<link>http://www.boldmagazine.ca/contain-yourself/</link>
		<comments>http://www.boldmagazine.ca/contain-yourself/#comments</comments>
		<pubDate>Wed, 15 May 2013 08:32:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CULTURE + DESIGN]]></category>
		<category><![CDATA[Containers]]></category>
		<category><![CDATA[Debbie Glassberg]]></category>
		<category><![CDATA[Evan McDonough]]></category>
		<category><![CDATA[faircompanies.com]]></category>
		<category><![CDATA[Home Contained]]></category>
		<category><![CDATA[Jim Poteet.]]></category>
		<category><![CDATA[Micro Home]]></category>
		<category><![CDATA[Urban Development]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/?p=3985</guid>
		<description><![CDATA[Although it may not always be so apparent, we are living in a time of abundant creativity and possibilities when it comes to innovative forms of housing. While it is understandable to point to the apparently unstoppable pattern of large houses on large lots that continues to devour the farmland and green spaces that surround most cities as a sign that, as a culture, we are not taking heed of the lessons of the post-war development boom, other, alternative forms of development are beginning to emerge. Urban planning and the public have warmed up to sustainable development (in theory if not always in practice), while green building practices &#8211; including the increasingly popular LEED-certification system – have been gained recognition within the development industry as way to add prestige and the flavour of innovation to project. On a smaller scale, individuals have continued to address the connections between the scale of our homes, the environment and our lifestyle. Of course, ‘living in a box’ is something that millions of condo owners have been embracing to lesser certain degree. A recycled shipping container, however, takes the concept to another level, and provokes interesting questions about our expectations for our homes. Specifically, how big do our homes need to be? The growth in the size of the average home certainly grew in the post-war period while we have remained relatively the same size, physically. North Americans are often surprised to encounter the quant, small scale of cars and homes in Europe (or for that matter, most of the rest the world outside of Canada and the U.S.). Compact living has the advantage of closer amenities, transit, culture and excitement. These communities, which are once again being attempted through the New Urbanist suburban planning movement, also have the advantage of putting less development pressure on the periphery of the urban area. Debbie Glassberg a Kansas City industrial designer and a former toy designer, believes in cutting edge thinking. She created a home out of shipping containers. It&#8217;s now part of a residential area in the Kansas City area. The result is a stunning 2,600 square feet structure made of five shipping containers that has a rather unusual appearance, with a green roof, solar and geothermal heating and a comfortable living space. Now take Lulu, a working single mother who chose to convert a shipping container into her family’s California home with very pleasant results, show that it is indeed possible to live in much smaller environments than we are used to thinking about. Perhaps from Lulu’s converted shipping container and other forms of ‘micro homes’, we can learn to take stock of the aspects of our home which we value the most, and reconsider material forms which may be superfluous (such as, perhaps, large front yards, space which offers a certain amount of prestige but that we hardly ever occupy). In her video portrait, the California mother explains that, because she was able save much of the money that she would otherwise need to spend on a traditional house, she is able to work less and spend much more time with her children. While self-build houses also offer the owner the luxury of customizing significant design features, homes such as hers also have the environmental advantage of reusing excisting building materials while saving on materials. This alternate approach to personal expenses, often known as voluntary simplicity, places a greater emphasis on quality time and defies the materialistic impulses in our culture, such the need to mark our territory and express ourselves through bold statements of wealth or privilege – an impulse the housing industry has always been eager to satisfy. The roots of voluntary simplicity could be traced back to the influence of Henry David Thoreau’s Walden, a classic of American literature which explains the benefits of Thoreau’s attempt at living simply and connecting to the important things in life by retreating to an isolated, one room, ten-by-fifteen-foot cottage in the forest. Whether it is in the extremely compact form of a converted shipping container, a downtown condo tower, or attempts at higher suburban density of the New Urbanism movement, it is inspiring to learn that the ideal human habitation is certainly not set in stone. We North Americans have much to learn from the contrast between these alternative housing forms and those which we are used to. &#160;]]></description>
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		<title>THE NEW COSTA RICA</title>
		<link>http://www.boldmagazine.ca/the-new-costa-rica/</link>
		<comments>http://www.boldmagazine.ca/the-new-costa-rica/#comments</comments>
		<pubDate>Tue, 14 May 2013 22:59:08 +0000</pubDate>
		<dc:creator>Julian Rubinstein</dc:creator>
				<category><![CDATA[CENTRAL AMERICA]]></category>
		<category><![CDATA[DESTINATIONS]]></category>
		<category><![CDATA[INDELIBLE JOURNEYS]]></category>
		<category><![CDATA[BOLDmagazine]]></category>
		<category><![CDATA[Costa Rica]]></category>
		<category><![CDATA[Four Seasons Costa Rica]]></category>
		<category><![CDATA[José Pablo Orozco & Arturo Sotillo]]></category>
		<category><![CDATA[Julian Rubinstein]]></category>
		<category><![CDATA[President Oscar Arias Sanchez]]></category>
		<category><![CDATA[Tortuguero River]]></category>
		<category><![CDATA[travel]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/wordpress/?p=51</guid>
		<description><![CDATA[Exhaust fumes belched from cars around me as I careened through the traffic-choked streets of Costa Rica’s capital, San José. I was on my way to Costa Rica’s version of the White House: a nondescript office building. &#8220;Rápido, por favor,&#8221; I said to my cabbie, even though I was not late nor am I anyone important.  I had spent the last two weeks tumbling through this lush country as a so-called ecotourist. I had hiked through misty cloud forests, hovered over a VW-sized green sea turtle as it laid eggs on a Caribbean beach, and shot through the rain-forest canopy on a zip line that crossed gorges 1,000 feet deep. I had also been peed on by a howler monkey and, finally, spoiled so rotten at a seaside resort that I was ­irritated at how long it had been since anyone had taken my drink order. Forgive me for becoming unhinged. It was my last day in a country virtually synonymous with &#8220;ecotourism,&#8221; and yet I was less sure than when I’d arrived what exactly that term meant. Surely the president, I reasoned, could set me straight. Bound to the north by Nicaragua and to the south by Panama, Costa Rica is the science geek of Central America. It has the highest literacy rate and standard of living in the region. While its neighbors were fighting civil wars, Costa Rica—the first country ever to constitutionally abolish its army, in 1949 &#8211; was studying moss and saving sea turtles. It could be Al Gore’s poster child. Costa Rica’s green era began in 1970, when, following nearly 50 years of unrestricted logging, lawmakers founded what would become a heralded national park system. The country’s political serenity attracted a group of mostly American entrepreneurs, who by the end of the decade had set up the first lodges and adventure outfitters. Then, in 1987, President Óscar Arias Sánchez, was awarded the Nobel Peace Prize for brokering an agreement among troubled Central American countries to promote democracy and end civil strife. Tiny Costa Rica—smaller than West Virginia and with a population of about four million—was thrust onto the world stage for the first time. &#8220;When Óscar won the Peace Prize, we knew everything was going to change,&#8221; ­Alvaro Ugalde, cofounder of the national park system, told me. Visitors began pouring into the country, and soon, tourism leapfrogged bananas and coffee to become the country’s top revenue-producing industry—it now brings in nearly $1.6 billion a year. But the boom also created a classic tug-of-war between developers and environmentalists. In 1993, while Costa Rica was promoting itself as an eco-friendly destination, a well-regarded German environmental organization awarded the country’s tourism minister its infamous Green Devil for gross mistreatment of the environment related to the construction of a multimillion-dollar seaside resort called Playa Tambor. And although an impressive 25 percent of the country’s land was protected, ineffective waste management left the rivers so polluted that some raft guides now warn clients not to swallow the water. &#8220;People think Costa Rica is some paradise—they think we’re angels,&#8221; said Ugalde, who today spends his time lobbying the government to make the environment a priority. &#8220;But no, we’re a devil like everyone else.&#8221; Over the past few years, Costa Rica’s biggest industry has entered yet another phase: luxury development. Spearheaded by the commercial opening of the controversial Peninsula Papagayo—a sloping seven-mile finger of land that droops into the Pacific Ocean from Guanacaste, the country’s north westernmost province—billions of investment dollars have flooded in from hotel companies, including Four Seasons, as well as the likes of Steve Case and Ross Perot Jr. As one might imagine, not everyone is in agreement about what this means for the future of the nation’s ecotourism. The day that I was peed on by a howler monkey was my first as an ecotourist and, though I’ll never know the primate’s true disposition toward me, the incident prepared me for something I’d have to reckon with for the rest of my trip. That morning I had taken a 30-minute flight from San José to Tortuguero, an old fishing village pressed between the Caribbean Sea and the Tortuguero River. We landed in a downpour so heavy my clothes were soaked through in the 10-second dash from the tarmac to the one-room air terminal and baggage claim. Within an hour, however, the clouds had cleared and the sun was gorging itself on a clear blue sky. Cheerfully, I boarded a motorboat with a small group of tourists, a scientist, and a local driver called Cola. We set off down the river; gazing at its lush overgrown banks, I saw why Costa Rica is reputed to have the highest density of species in the world. There were crocs sunning themselves, iguanas clinging to hibiscus bushes, and so many kinds of birds (toucans, pelicans, herons, etc.) that I and the other non-birders on board took solemn stock of our plight. We continued, against the tide, into a smaller canal where the forest overgrowth blocked the sky, turning the river passage into a watery tunnel. It was pleasant there in the shade and from somewhere in the almond and strangler fig trees came the guttural cry of the howler monkey, a noise that may as well be Costa Rica’s national anthem, so ubiquitous are these creatures. We craned our necks toward the shaking branches and soon spotted them just overhead—an entire troop, some hauling babies on their backs, crossing the river. My boatmates began ooh-ing and zooming the lenses of their digital cameras. I, at that very moment, had gone with an ahh. There are times in one’s life when something happens for a reason, and as I swallowed that howler monkey’s pee, I could only hope this wasn’t one of them. I said nothing, but as I sat there I sank into existential despair about my journey. How was I supposed to enjoy myself when I was both hyperconscious of trying to protect the environment and at every turn reminded that my very [...]]]></description>
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		<title>FOR THE LOVE OF MUSIC</title>
		<link>http://www.boldmagazine.ca/for-the-love-of-music/</link>
		<comments>http://www.boldmagazine.ca/for-the-love-of-music/#comments</comments>
		<pubDate>Mon, 13 May 2013 14:02:06 +0000</pubDate>
		<dc:creator>Jenny Lugar</dc:creator>
				<category><![CDATA[BOLD ICONS]]></category>
		<category><![CDATA[For the Love of Music]]></category>
		<category><![CDATA[Jazz Music]]></category>
		<category><![CDATA[Jenny Lugar]]></category>
		<category><![CDATA[Susie McLean]]></category>
		<category><![CDATA[Wish Restaurant Toronto]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/?p=7826</guid>
		<description><![CDATA[Sometimes the best new talents sneak up on you, not hitting the radio or the popular music scene for many months, meanwhile a select few are in on the secret &#8211; and they understandably like to keep it all to themselves. Susie McLean is one of Canada’s such secrets, but since the release of her first album in May, we must face the truth: the secret is out. As a mother of two, happily married to her perfect match, Susie McLean has, admittedly, done things backwards when it comes to standards in the music industry. Although she started playing the piano at age eight, began singing lessons shortly after, and attended Etobicoke School of the Arts all before meeting her husband, Susie’s career as a musician didn’t begin until she had everything else in her life figured out. “I was an executive assistant for a company,” she explains as we sit down at the chic downtown Toronto restaurant WISH. “I think it was the fifth year I was there that I was like, you know what? I need to do my music. It was a feeling that just didn’t go away.” Now, a few years and plenty of onstage experience later, Susie has released her first album and is adjusting to life as a full time singer. After making what she says was a family decision to pursue her love of music, Susie spent nearly two years writing three original songs, “Sing Your Song”,  “Falling Down” and &#8220;&#8216;Til The Morning Comes&#8221; an original song, written by Laura Woodley.&#8221; She also spent the time selecting the seven other tracks, hand-picked and pored over cover songs, that would complete her debut album. “The album took me so long because every single song on it means something special to me,” she says, placing a heartfelt hand on her chest. And of course, when it comes to writing, you can’t always predict when inspiration will hit. “ Sometimes I’ll be out with people, and someone will say something, and I’m like&#8230; that’s beautiful, that’s a song!” Susie says, laughing. Once the writing process was complete, however, she confesses it took only two days in the studio to record the entire album &#8211; albeit, early mornings and late nights for the two-day recording marathon. Although she speaks with confidence and her laughter can easily capture all ears in the room now, it wasn’t always a smooth ride for Susie. First was her struggle to find the right genre for her voice, which she says took a couple years until she became an avid Ella Fitzgerald listener and broke into jazz. Interestingly enough, as Susie has grown over the past two years of album creating, so has her genre. “I think that my voice is really different, and I wouldn’t even say that my music is strict jazz, it’s a mixture of folk, with pop in there, and even a hint of country,” she expresses in her super relaxed manner, clearly realizing that the evolution of an artist is inevitable. The second, and perhaps bigger dilemma that Susie experienced was her reluctance to perform in front of audiences. But she now explains that “the more I performed the more confident I got, the more feedback I got the better I felt,” and she is now performing more and more, and hopes to break into more summer festival performance gigs. Of course throughout the entire process, the support of her husband and two children certainly helped her to become the soulful performer she is today. “My son is 5 and my daughter is 4,” she confides, “they’re so cute, they always say ‘mommy sing me a song’!” Now that she’s begun to carve her path in the music industry, Susie admits that she’s glad she gave herself time to mature before her musical career started. “I love that because I’m older, I really know who I am now,” she says, adding that with her comfortable lifestyle in family oriented Mississauga, her focus is her love of music, rather than huge fame or monetary gains. To keep her life balanced, Susie makes sure to still dabble in her other hobbies, photography and interior decorating. And of course, relaxing at home watching a movie with her husband is also a great way to unwind. “There’s so much more creativity when you’re not thinking about music for a bit, and then you come back into it and you’re like, ‘oh I have so much more stuff to work with now’!” For now, she’s enjoying the ride, but Susie confesses that she’s already begun thinking about a new album, which will likely feature more original songs &#8211; an addition to her musical repertoire that we simply can’t wait to delve into.]]></description>
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		<title>LOWLINE UNDERGROUND PARK</title>
		<link>http://www.boldmagazine.ca/lowline-underground-park/</link>
		<comments>http://www.boldmagazine.ca/lowline-underground-park/#comments</comments>
		<pubDate>Sun, 12 May 2013 10:51:11 +0000</pubDate>
		<dc:creator>Humaira Riaz</dc:creator>
				<category><![CDATA[USA]]></category>
		<category><![CDATA[Dan Barasch]]></category>
		<category><![CDATA[Eco + Green Spaces]]></category>
		<category><![CDATA[Humaira Riaz]]></category>
		<category><![CDATA[James Ramsey]]></category>
		<category><![CDATA[Underground parks - New York City]]></category>

		<guid isPermaLink="false">http://www.boldmagazine.ca/?p=9078</guid>
		<description><![CDATA[In the world that we live in, residing in concrete urban spaces without any greenery has become a fairly common phenomenon. Many green spaces have been cleared to make way for buildings and housing estates. Hence, in a bid to add more green to an otherwise drab looking city, architects and city planners have started adding sky gardens to buildings. However, in New York city, two young men are taking it to a whole new level, literally. New York’s Lower East side is a bustling part of the city. There are food vendors, shops and office buildings as far as the eye can see. However, it is missing a touch of green. Therefore, when Dan Barasch and James Ramsey visited the abandoned Williamsburg Trolley Terminal, on Delancey Street in NYC’s Lower East Side, something clicked. The trolley terminal has not been in used since 1948 and the duo decided that it could be put to better use as a green space where people could come out to play and relax. Their brainchild, if it comes to fruition, will be called Lowline. Amid concerns that the underground space may not be able to support the growth of flora and fauna, Dan reassured critics that they have developed a technology that will allow enough sunlight in to promote photosynthesis. The technology is known as remote skylight and sunlight can be used to light up the underground area. It is a fascinating concept and may provide hope for other urban cities as well. A lack of space is one of the major concerns in the world that we live in. While one will be able to find a plethora of construction sites, many a times they are built at the cost of demolishing a park or a conservation site. Lowline may be a breath of fresh air metaphorically but it remains to be seen how the issue of giving the public the feel of being in an actual park will be tackled. Currently, those interested can visit a model of the park at a warehouse on Delancey Street where the park is on an exhibit titled, Imagining the Lowline. The exhibit will be on display till the end of fall and was organized in a bid to convince people that a concept such as Lowline can work. The exhibit will be used as a way to convince authorities and the public to support and fund the project so that Lowline can become a reality.]]></description>
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